You might not have heard of these movies. If you're thinking about the ones based on the Xbox and Playstation games, we're not talking about those, but rather the trilogy of bizarre action flicks by Japanese crazy-man director Takashi Miike. This trilogy of movie downloads offers just what you're looking for if you've gotten tired of the same old same old from American action flicks and you're ready for something a little different, and a little strange.
Dead or Alive Part One was designed to be a way to bring together two hot Japanese stars, being Sho Aikawa, the Japanese Pacino, and Riki Takeuchi, the Japanese DeNiro, so Dead or Alive is sort of the Japanese Heat. However, it's really nothing like Heat, and it's sort of designed to fix the problem with that movie, being that the ending wasn't quite the climax most viewers were hoping for.
We won't spoil that ending for you, but save to say that it certainly solves the whole anti-climax problem. From beginning to end, the whole movie is like one big super climactic showdown. Every minute you're going to be seeing something you've never seen before, something you can't believe you just saw, and something you wish you hadn't seen.
The second in the trilogy offers a different sort of approach with the same crazy style. This one recasts the two leads as two new characters. Where the first had the two as rival cop and gangster, this one has them as a pair of hitmen who grew up together and who donate all of their money to fighting diseases in developing countries.
The first movie in the series has a very negative edge to it, it's very harsh. This one is all heart, it's very positive, so it's interesting to see the whole thing flipped on its head. It also deals a little more responsibly with the cost of violence on a person's soul.
The third of the trilogy, Dead or Alive Final, takes the series in an all new direction, getting into a science fiction setting akin to Blade Runner. It might not be the best of the trilogy, but it has to be seen so you can see how it ties the whole trilogy together in a strange way.
Check out Deadly Outlaw Rekka if you want more Miike. It has the same sort of over the top, insane attitude towards the story, and recasts Riki Takeuchi in the title role, as he seeks to avenge the death of his surrogate father. What really makes that movie work is the style. The story is standard revenge stuff, but it's all set to an alternative rock album from the seventies by the Traveling Sunflower Band, and the action is all out stuff. Takeuchi also turns in an interesting performance as the unstable and unpredictable Rekka.
The trailer for the first movie in the trilogy proudly declares that Miike is the mad dog of Japanese film, and it's true, that's not just hyperbole. The guy makes something like four or five movies a year, and has created over one hundred total over the course of his career. Not all of them are of the same quality, but for just one in ten movies to be great, that's ten great films, which is more than most directors ever get a chance to put out.
Dead or Alive Part One was designed to be a way to bring together two hot Japanese stars, being Sho Aikawa, the Japanese Pacino, and Riki Takeuchi, the Japanese DeNiro, so Dead or Alive is sort of the Japanese Heat. However, it's really nothing like Heat, and it's sort of designed to fix the problem with that movie, being that the ending wasn't quite the climax most viewers were hoping for.
We won't spoil that ending for you, but save to say that it certainly solves the whole anti-climax problem. From beginning to end, the whole movie is like one big super climactic showdown. Every minute you're going to be seeing something you've never seen before, something you can't believe you just saw, and something you wish you hadn't seen.
The second in the trilogy offers a different sort of approach with the same crazy style. This one recasts the two leads as two new characters. Where the first had the two as rival cop and gangster, this one has them as a pair of hitmen who grew up together and who donate all of their money to fighting diseases in developing countries.
The first movie in the series has a very negative edge to it, it's very harsh. This one is all heart, it's very positive, so it's interesting to see the whole thing flipped on its head. It also deals a little more responsibly with the cost of violence on a person's soul.
The third of the trilogy, Dead or Alive Final, takes the series in an all new direction, getting into a science fiction setting akin to Blade Runner. It might not be the best of the trilogy, but it has to be seen so you can see how it ties the whole trilogy together in a strange way.
Check out Deadly Outlaw Rekka if you want more Miike. It has the same sort of over the top, insane attitude towards the story, and recasts Riki Takeuchi in the title role, as he seeks to avenge the death of his surrogate father. What really makes that movie work is the style. The story is standard revenge stuff, but it's all set to an alternative rock album from the seventies by the Traveling Sunflower Band, and the action is all out stuff. Takeuchi also turns in an interesting performance as the unstable and unpredictable Rekka.
The trailer for the first movie in the trilogy proudly declares that Miike is the mad dog of Japanese film, and it's true, that's not just hyperbole. The guy makes something like four or five movies a year, and has created over one hundred total over the course of his career. Not all of them are of the same quality, but for just one in ten movies to be great, that's ten great films, which is more than most directors ever get a chance to put out.
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